Difference between revisions of "Photo Gallery"

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=== Our Attitude ===
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<small>Source: [[Contact Report 009]] (Extract)</small>
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| <br>'''Semjase:'''
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| <br>'''Semjase:'''
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| 40. The gift of observation of the human beings of Earth is very bad and superficial.
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| 40. Die Beobachtungsgabe der Erdenmenschen ist sehr schlecht und oberflächlich.
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| 41. They very often regard our beamships as some kind of Earthly aeroplanes etc., even though they hardly pay attention to them more than a short fraction of a second.
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| 41. Unsere Strahlschiffe betrachten sie sehr oft als irgendwelche irdischen Flugzeuge usw., wodurch sie ihnen kaum mehr als einen kurzen Sekundenbruchteil Beachtung schenken.
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| 42. They are quite simply not used to a very precise observing and considering.
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| 42. Sie sind ganz einfach an ein sehr genaues Beobachten und Betrachten nicht gewohnt.
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| 43. But on the other hand it is the case that we mostly protect our beamships against any sight, so that the human beings are unable to observe us.
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| 43. Andererseits ist es aber so, dass wir im Hauptsächlichen unsere Strahlschiffe gegen jede Sicht schützen, so uns die Menschen nicht beobachten können.
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| 44. It is a breeze for us to, just according to our wishes, protect our ships within a radius of 500 m completely or partially, laterally, from above or below by means of a distortion screen against sight.
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| 44. Es ist uns eine Leichtigkeit, unsere Schiffe je nach Belieben im Umkreis von 500 m ganz oder teilweise, seitlich, oben oder unten durch einen Verzerrschirm gegen Sicht zu schützen.
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| 45. Therefore, when I allowed you to photograph my ship from one side, it was shielded from further view on all other sides by the distortion screens, so that no uninitiated persons were able to see it.
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| 45. Erlaubte ich dir daher, mein Schiff von einer Seite zu photographieren, dann war es auf allen andern Seiten durch die Verzerrschirme gegen weitere Sicht geschützt, so keine Uneingeweihten es zu sehen vermochten.
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==Further Reading==
 
==Further Reading==
 
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Revision as of 04:21, 27 November 2020



PHOTO GALLERY

UFO PHOTOGRAPHY
BILLY EDUARD ALBERT MEIER
BEAMSHIPSOLYMPUS35ECR.gif
EXPLANATIONS
ENGLISH & GERMAN

With the use of the image processing computer, we can now examine UFO craft to much greater detail than ever before. The computer can store all of the information about a picture and improve its visual quality to the point where detail is now visible ... The use of computers puts this data at the fingertips of the researcher.

Jim Dilettoso, Photo Analysis from the Preliminary Investigation Report, 1982


Introduction

Source: https://shop.figu.org/b%C3%BCcher/photo-inventarium (Extract)


British English Schweizer Standarddeutsch FIGU.png

In order to understand why the Beamship pictures of Plejaren origin shown in the Photobuch[1] could have been taken by 'Billy' - Eduard Albert Meier, called BEAM, it is necessary to describe briefly the circumstances under which the photographs were taken. But it is also necessary to say something about BEAM as a person too, as well as being the herald of modern times and as a contactee person,[2] in order to understand why he was the only one who was commissioned to take, probably the best photos ever of extraterrestrial beamships, which are steered by the people of the Plejaren Federation and come to Earth.

Um verstehen zu können, warum die in diesem Photobuch aufgezeigten Strahlschiffe-Bilder plejarischer Herkunft von ‹Billy› -Eduard Albert Meier, genannt BEAM, gemacht werden konnten, ist es notwendig, kurz die Umstände des Zustandekommens der Photos zu beschreiben. Es ist aber auch unumgänglich, einiges über die Person BEAM als Mensch sowie als Künder der Neuzeit und als Kontaktperson zu sagen, um zu verstehen, warum er als einziger dazu beauftragt war, die wohl jemals besten Photos von ausser-irdischen Strahlschiffen zu machen, die durch die Menschen der Plejarischen Föderation gesteuert werden und zur Erde kommen.

Gallery

FIGU.png

+[click here to show more]

Additional Galleries

The photos have also been sorted into collections in the following categories: FIGU, SSSC and Billy Meier, People, Symbols, Books, Evidence, Other and the Art Gallery has been sorted this way too Category view: Art Gallery. You may also use the wiki tools Special:NewFiles or Special:ListFiles to view all uploaded files, if you please.

  • Z1Buttons-BEAMFIGUSSSC.gif

  • Z2Buttons-PEOPLE.gif

  • Z3Buttons-SYMBOLS.gif

  • Z4Buttons-BOOKS.gif

  • Z5Buttons-EVIDENCE.gif

  • Z6Buttons-ART.gif

  • Z7Buttons-OTHER.gif


Sources

  • Photo-Inventarium / Photo-Inventarium
    Photographs by Billy Eduard Albert Meier and a selection of his witnesses from 17th May 1964 to 5th February 2004. With an explanation as to why BEAM is the proclaimer of the modern times, contact person to the Plejaren Federation, why he was supposed to take the best photos of the out of this world beamships and the reason they come to Earth.
    Source Sample - File:Through Space And Time Sample.pdf

  • Photobuch / Photobook
    Linen cover with silver embossing, 4 coloured print, thread-bound, 122 pages, 95 photos
    Including 29 large format colour photos, size: 230mm x 297mm.

    Source Sample

  • They Are Here
    The two authors of this book conducted a seven-year in-depth investigation into the unparalleled Billy Meier ET contact case, revealing long-hidden findings and the most compelling visual evidence of extraterrestrial UFOs present on Earth. Written in layman’s terms and with more than 160 full-colour illustrations and photographs, this book verifies the undeniable authenticity
    of Billy Meier’s evidence. Hardcover, 356 pages, size: 264mm x 186mm

    Source - Sample
    ISBN-13: 978-1-7771550-0-1

  • Zeugenbuch / Witness Book
    The witness book is about the experiences of 'Billy' Eduard Albert Meier, his abilities and contacts with folks of the Plejaren Federation; with many black and white pictures. Hardback, 500 pages.
    Source - Sample
    ISBN-13: 973-9-0915420-4-5

  • Photo-Inventarium
  • Photobuch

  • They Are Here
  • Zeugenbuch

  • Explanations

    Location choices

    Source: Contact Report 757 (Extract)


    British English Schweizer Standarddeutsch FIGU.png

    Ptaah:

    Ptaah:
    First of all, you had to carry out your filming and picture taking only in these places under prearranged circumstances that had previously been selected by two of our experts in special landscapes to guarantee certain backgrounds, which left no doubts that any counterfeits could have been made by hanging up small or larger Beamship models. The fact that you would be accused of forgery, fraud and charlatanism was researched by us on the spot, so that for all the photographs, special landscapes were chosen where my daughter had to take you. The routes to these places were sometimes very arduous and difficult for you to drive and walk, but the predetermined places had to be, because it was also determined with foresight that the places and their exact locations would later be checked and measured by various specialists from various organisations, filmmakers, scientists and secret services, and strictly dissected, researched and examined by means of manufactured object models etc. Erstens hattest du deine Film- und Bilderaufnahmen durchwegs nur an Orten und unter Umständen durchzuführen, die von 2 unserer Experten für besondere Landschaftsbildung vorgehend ausgesucht wurden, um bestimmte Hintergründe zu gewährleisten, die keinerlei Zweifel der Art zuliessen, dass irgendwelche Fälschungen durch ein Aufhängen von kleinen oder grösseren Strahlschiffmodellen hätte erfolgen können. Dass dir nämlich Fälschung nachgesagt würde und du des Betruges und der Scharlatanerie beschuldigt würdest, das wurde von uns nämlich vorauserschauend an Ort und Stelle ergründet, folglich also für alle Aufnahmen besondere Landschaften ausgesucht wurden, wohin dich meine Tochter zu führen hatte. Die Wege an diese Orte waren teils sehr mühsam und schwierig für dich zu fahren und zu gehen, doch die vorausbestimmten Orte mussten sein, weil ebenfalls vorauserschauend festgestellt wurde, dass die Orte und deren genaue Lagen später von verschiedenen Fachkräften diverser Organisationen, Filmemachern, Wissenschaftlern und Geheimdiensten überprüft und ausgemessen sowie mit hergestellten Objektmodellen usw. strengstens zergliedert, durchforscht und durch Experimente untersucht würden.

    Our Attitude

    Source: Contact Report 009 (Extract)


    British English Schweizer Standarddeutsch FIGU.png

    Semjase:

    Semjase:
    40. The gift of observation of the human beings of Earth is very bad and superficial. 40. Die Beobachtungsgabe der Erdenmenschen ist sehr schlecht und oberflächlich.
    41. They very often regard our beamships as some kind of Earthly aeroplanes etc., even though they hardly pay attention to them more than a short fraction of a second. 41. Unsere Strahlschiffe betrachten sie sehr oft als irgendwelche irdischen Flugzeuge usw., wodurch sie ihnen kaum mehr als einen kurzen Sekundenbruchteil Beachtung schenken.
    42. They are quite simply not used to a very precise observing and considering. 42. Sie sind ganz einfach an ein sehr genaues Beobachten und Betrachten nicht gewohnt.
    43. But on the other hand it is the case that we mostly protect our beamships against any sight, so that the human beings are unable to observe us. 43. Andererseits ist es aber so, dass wir im Hauptsächlichen unsere Strahlschiffe gegen jede Sicht schützen, so uns die Menschen nicht beobachten können.
    44. It is a breeze for us to, just according to our wishes, protect our ships within a radius of 500 m completely or partially, laterally, from above or below by means of a distortion screen against sight. 44. Es ist uns eine Leichtigkeit, unsere Schiffe je nach Belieben im Umkreis von 500 m ganz oder teilweise, seitlich, oben oder unten durch einen Verzerrschirm gegen Sicht zu schützen.
    45. Therefore, when I allowed you to photograph my ship from one side, it was shielded from further view on all other sides by the distortion screens, so that no uninitiated persons were able to see it. 45. Erlaubte ich dir daher, mein Schiff von einer Seite zu photographieren, dann war es auf allen andern Seiten durch die Verzerrschirme gegen weitere Sicht geschützt, so keine Uneingeweihten es zu sehen vermochten.

    Further Reading


    Links and navigationFuture FIGU.pngf Mankind

    Contact Report Index Meier Encyclopaedia
    n A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

    References

    1. https://shop.figu.org/b%C3%BCcher/photobuch?language=en
    2. https://en.wikipedia.org/wiki/Contactee
    3. Source: (Video still from the feature-length documentary "The Silent Revolution of Truth")
    4. Source: billymeiertranslations.com
    5. Source: billymeiertranslations.com
    6. Source: billymeiertranslations.com
    7. Photo Inventarium 2014
    8. Source: billymeiertranslations.com
    9. 6 Photo Inventarium 2014
    10. Photo Inventarium 2014
    11. Source: billymeiertranslations.com
    12. Source: billymeiertranslations.com
    13. Source: billymeiertranslations.com
    14. 12 Photo Inventarium 2014
    15. 15 Photo Inventarium 2014
    16. 494 Photo Inventarium 2014
    17. 83 Photo Inventarium 2014
    18. See Contact Reports listed by date
    19. 80 Photo Inventarium 2014
    20. 60 Photo Inventarium 2014
    21. 116 Photo Inventarium 2014
    22. (From Guido Moosbrugger's book "And still they fly!")
    23. (analogue video) reel
    24. Berg-Rumlikon, Switzerland, 12th June 1975, 10:40 am.
    25. 62 Photo Inventarium 2014
    26. 61 Photo Inventarium 2014
    27. 638 Photo Inventarium 2014
    28. 93 Photo Inventarium 2014
    29. (Source: FIGU US old external website link Source)
    30. (Video still from the feature-length documentary "The Silent Revolution of Truth" during a cross-fade between the two previous photos)
    31. 55 Photo Inventarium 2014
    32. 57 Photo Inventarium 2014
    33. 64 Photo Inventarium 2014
    34. 65 Photo Inventarium 2014
    35. 66 Photo Inventarium 2014
    36. 69 Photo Inventarium 2014
    37. 71 Photo Inventarium 2014
    38. 76 Photo Inventarium 2014
    39. 65, 119, 57 and 71 Photo Inventarium 2014
    40. Courtesy of J. Jansen. (Thanks to Professor Jim Deardorff http://www.tjresearch.info/moretree.htm)
    41. 229 Photo Inventarium 2014
    42. 221 Photo Inventarium 2014
    43. Source: billymeiertranslations.com link
    44. 187 Photo Inventarium 2014
    45. 187 Photo Inventarium 2014
    46. 202 Photo Inventarium 2014
    47. 200 Photo Inventarium 2014
    48. 154 Photo Inventarium 2014
    49. 154 Photo Inventarium 2014
    50. 151 Photo Inventarium 2014
    51. 152 Photo Inventarium 2014
    52. Photo Inventarium 2014
    53. Photo Inventarium 2014
    54. Photo Inventarium 2014
    55. Photo Inventarium 2014
    56. Photo Inventarium 2014
    57. Photo Inventarium 2014
    58. Photo Inventarium 2014
    59. Photo Inventarium 2014
    60. Photo Inventarium 2014
    61. Photo Inventarium 2014
    62. Photo Inventarium 2014
    63. Photo Inventarium 2014
    64. Photo Inventarium 2014
    65. Photo Inventarium 2014
    66. Photo Inventarium 2014
    67. Photo Inventarium 2014
    68. Photo Inventarium 2014
    69. Photo Inventarium 2014
    70. Photo Inventarium 2014
    71. Contact Report 012 lines 50 - 52
    72. Photo Inventarium 2014
    73. Source: Photo Inventarium, 2014
    74. Photo Inventarium 2014
    75. Photo Inventarium 2014
    76. Photo Inventarium 2014
    77. Photo Inventarium 2014
    78. Photo Inventarium 2014
    79. Photo Inventarium 2014
    80. Photo Inventarium 2014
    81. Photo Inventarium 2014
    82. See Contact Report 015 regarding projection of a persons image spiritually to another place or time.
    83. Source: Photo Inventarium, 2014
    84. Photo Inventarium 2014
    85. Source: Photo Inventarium, 2014
    86. Source: Photo Inventarium, 2014
    87. source of image: the documentary Contact.
    88. Photo Inventarium 2014
    89. (Source FIGU US website old link)
    90. Photo Inventarium 2014
    91. (Source)
    92. (Source external FIGU US link)
    93. (Photo from Guido Moosbrugger's book "And still they fly!")
    94. (Photo from Guido Moosbrugger's book "And still they fly!")
    95. Photo Inventarium 2014
    96. Photo Inventarium 2014
    97. Photo Inventarium 2014
    98. Verzeichnis, 1986
    99. Photo Inventarium 2014
    100. Verzeichnis, 1986
    101. Photo Inventarium 2014
    102. Verzeichnis, 1986
    103. Photo Inventarium 2014
    104. Plejadisch-Plejarische Kontaktberichte Block 3 (2004)
    105. Photo Inventarium 2014
    106. Photo Inventarium 2014
    107. Photo Inventarium 2014
    108. Verzeichnis, 1986
    109. Photo Inventarium 2014
    110. Photo Inventarium 2014
    111. Photo Inventarium 2014
    112. Photo Inventarium 2014
    113. Photo Inventarium 2014
    114. Photo Inventarium 2014
    115. Photo Inventarium 2014
    116. Photo Inventarium 2014
    117. Photo Inventarium 2014
    118. analysis by Rhal Zahi second edition PDF
    119. Photo Inventarium 2014
    120. Photo Inventarium 2014
    121. Photo Inventarium 2014
    122. Photo Inventarium 2014
    123. Photo Inventarium 2014
    124. analysis by Rhal Zahi second edition PDF
    125. Photo Inventarium 2014
    126. Photo Inventarium 2014
    127. analysis by Rhal Zahi second edition PDF
    128. Photo Inventarium 2014
    129. Photo Inventarium 2014
    130. Photo Inventarium 2014
    131. Photo Inventarium 2014
    132. Photo Inventarium 2014
    133. Photo Inventarium 2014
    134. Photo Inventarium 2014
    135. Photo Inventarium 2014
    136. Photo Inventarium 2014
    137. Photo Inventarium 2014
    138. Photo Inventarium 2014
    139. Photo Inventarium 2014
    140. Photo Inventarium 2014
    141. Photo Inventarium 2014
    142. Photo Inventarium 2014
    143. Photo Inventarium 2014
    144. Photo Inventarium 2014
    145. Photo Inventarium 2014
    146. Photo Inventarium 2014
    147. Source
    148. Source
    149. (Video still from the feature-length documentary "The Silent Revolution of Truth")
    150. See Contact Report 236 from 26 April 1990. (From Guido Moosbrugger's book "And still they fly!")
    151. Source
    152. Source
    153. (Video still from the feature-length documentary "The Silent Revolution of Truth")
    154. (Source)
    155. (Source)
    156. Source
    157. Source
    158. Source
    159. (From Guido Moosbrugger's book "And still they fly!")
    160. See Contact Report 039
    161. Jmmanuel - wrongly known today as Jesus Christ
    162. colourised in Photoshop by Dejan.
    163. colourised by Dejan.
    164. A page from the book "And still they fly!"
    165. Semjase informed Meier about the Plejaren Alphabet during Contact Report 31 while on his Great Journey. This is a page from the book "And still they fly!"
    166. See Contact Report 236 lines 204 (Thursday, 26th April, 1990) Semjase Kontakt Berichte Block 13, pg. 2465, 1996; Plejadisch-plejarische Kontaktberichte Band 6, pg. 262, 2005.
    167. See Contact Report 236
    168. See Contact Report 236.
    169. See Contact Report 236.
    170. See Contact Report 236.
    171. Later changed to manufactured fake composite by producers, presumably to avoid alienating those who didnt live in a high precipitation, moderate temperate climate with rare rolling hills surrounded by evergreen conifer forest that included cedar, cypress, Douglas fir, pine, spruce and in order to lower the shows value all the way down to where audiences tastes for entertainment were, in the cheap.
    172. see Contact Report 251.
    173. The universe including all its dimensions and features is said to have this particular configuration, this is how it's said to look, were an image captured of the full formation externally and from quite some distance. Fictitious artists representation.
    174. Most Planets naturally develop some form of similar cultural interpretation. Based in the growing and thriving in nature, where momentum tends to proceed upwards.
    175. The top section is said to resemble a lotus flower or aquatic based flower, water lily however most flowers follow the same growth principles.
    176. We've associated a downward momentum to the flourishing of nature on Earth. Peace tends to occurs when things are permitted to develop normally.
    177. Upside down represents struggling life, anti-life, death, war, anti-flourishing and holds several other denotations and connotations including based with barren manifestation. It doesn't represent peace as popularly thought.
    178. Some eastern cultures have similar iconography and symbolism which has developed over into garden and architectural features.
    179. The underside veins of leaves tend to grow with the natural pattern formulation. The arrangement holds several excellent transfer, supporting and development advantages over others.
    180. The iconography is often associated with marriage and partnership.
    181. Similar to pestle and mortar, ancient Egyptian and Rapa Nui symbols which have held similar values.
    182. Similar to the iconography utilised by the Judaism religion which however is not necessarily befitting of its values yet has been known to be perceived that way. See history of anti-semitism.
    183. Forms of perversity are necessary at certain times of evolution. Similar composition is found in the Union Jack, the national flag of the United Kingdom. Which may upon thought, be advantageous in light of the time schedule and other factors on Earth.
    184. Associated with repulsion. Beamships master repulsing, pushing and pulling of matter, for flight control purposes.
    185. Similar but not the same as the rejection symbol.